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Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat
Salt Wood Firing at Montsalvat

Salt Wood Firing at Montsalvat

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by Montsalvat Arts Education
4.9 across all classes · 1,279 reviews

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🏺 Expert Instruction ✋ Hands-On Learning 🔥 Magical Woodfire 🌟 Inclusive Experience

Salt Wood Firing at Clay Talk – Kiln Access & Firing Event

Location: Clay Talk Ceramic Centre, Montsalvat (Eltham)

Overview

This listing is for anyone who wants to learn salt firing through hands-on participation, or fire their own work in the Clay Talk salt kiln. Whether you're an experienced potter or new to atmospheric firing, this is a rare chance to fire in a catenary arch wood kiln.

Why Salt Firing

When salt is introduced into the kiln, it vaporises and the sodium bonds with silica in the clay and slip, forming a sodium silicate glaze over the pots. Depending on clay body, slip, and wood used, results can include glossy salt glaze effects, vibrant and varied colour, distinctive textures such as the "orange peel" effect, and completely one-of-a-kind surfaces. Every vessel becomes a record of the firing, a patient, elemental collaboration between artist, clay, fire, and salt.

The Kiln

The Clay Talk catenary arch kiln was built over six months under Arts & Education Manager Sergei Shatrov, with over 20 contributing volunteers and students, countless hours of labour, and community donations and reclaimed materials. The result is a fast-fire, cross-draft wood kiln that now stands alongside our Anagama kiln on the grounds of Montsalvat, at the heart of Clay Talk's educational and artistic programs.

How It Works

This is a shared kiln firing: all participants join one group booking for a single firing. Wood, labour, and running costs are largely fixed regardless of group size, so pricing is per person and scales down as the group grows.

Full participation includes:

  • Assisting with packing, wood prep, and stoking shifts
  • Attendance at one full firing shift minimum (not all shifts required)
  • Unpacking and collecting your work at the kiln opening
  • Up to one wine box carton of bisqued pieces (30 x 30 x 15cm) per person.

All work must be bisque fired and suitable for high-temperature wood firing (cone 10 stoneware clays).

Pricing – Per Person

Group size:

Price is per person

1 person $3,500

2 persons $1,750 each

3 persons $1,150 each

4 persons $875 each

5 persons $700 each

6 persons $580 each

7 persons $500 each

8 persons $435 each

9 persons $390 each

10 persons $350 each

11 persons $320 each

12 persons $300 each

The smaller group or single person firing option is a dedicated private firing, suited to professional makers who want full control over placement, atmosphere, almost unlimited sizes of pieces and scheduling without the complications of sharing the kiln with a larger group.

Note: the booking system on this listing only calculates pricing for a group of 12 and will not price smaller groups correctly. To book for fewer than 12, use the price guide above and email claytalk@montsalvat.com.au to arrange it manually rather than booking through "Book a Private Session." If your group size doesn't match the brackets above, or you'd like to enquire about a private firing, email us to discuss.

Please Note

  • Finished work must be collected at unloading. Work not collected within 7 days may be sold or disposed of to cover handling and storage costs.
  • Clay Talk reserves the right to cancel or postpone the firing due to a sudden change in fire danger conditions, advice from authorities (including but not limited to health warnings), or unforeseen unavailability of wood-firing crew members or the team leader.
  • If postponed due to above listed circumstances, the firing will be rescheduled at a time that is agreeable for Clay Talk and participants.
  • Upon booking, please ensure you've read Clay Talk's Terms & Conditions and Conditions of Entry.

Why Wood Firing Costs More

Wood firing is labour- and fuel-intensive. Sourcing timber and kiln shelf materials, and running a firing team over multiple days and nights, takes significant time and resources. Fees go toward fuel, kiln operation and maintenance, and staff labour. We keep pricing as accessible as we can while honouring the work and expertise these firings demand.

About Sergei Shatrov

With over 31 years of experience, Sergei is a ceramic artist, wood firer, and educator. He trained across the NSW TAFE system and at the Australian National University's School of Art, then travelled extensively through Japan and the USA to refine his craft. Born in Sydney to Ukrainian-Russian heritage, Sergei now lives in Melbourne and is Lead Artist & Coordinator at Clay Talk Ceramic Centre. His knowledge and dedication to clay make every session both inspiring and enriching.

Questions About Wood Firing?

Email directly: claytalk@montsalvat.com.au




TERMS & CONDITIONS

To secure your place in a class, course or workshop we require full payment at the time of booking.

Bookings are only accepted through our online portal at www.

Payment of class, course or workshop fees can only be made through our online portal at  www.

ACCESS

Clay Talk studio is located on the grounds of Montsalvat. For this reason, there are security measures in place to prevent trespassing and maintain your safety. Upon booking you will receive an Information Kit which has instructions on how to access Clay Talk studio. Please read this before coming to class.

REFUNDS / ABSENCE / TRANSFERS/ CANCELLATION

  • We do not offer refunds if you change your mind after you have made the booking. Please be sure you are able to commit to the class, course or workshop dates and times prior to booking.
  • Transfers are done upon email request and subject to available spaces only. Failure to transfer successfully will mean receiving a credit note or being transferred to a later term of the same class.
  • If you are unable to attend a class, please contact us at claytalk@montsalvat.com.au on the day of your class. In exceptional circumstances, we can make alternative arrangements to compensate for lost class time.
  • Retrospective requests (a request for a make-up from last term for example) for class make-ups are not accepted. We request you make contact via email or phone to Clay Talk as soon as you can’t make class so that we can make alternative arrangements for you.
  • Clay Talk reserves the right to cancel a class due to unforeseen circumstances such as insufficient enrolments or illness or for maintenance works. You will be notified prior to the class if cancellation of the class is deemed necessary, or if there will be another date scheduled, or if a pro-rata refund will be provided.

ILLNESS

If classes and workshops are cancelled due to illness of a tutor, and the inability to find a suitable replacement, Clay Talk will endeavour to provide rescheduled dates for classes and workshops.

In the event that students cannot attend the rescheduled classes, students must email claytalk@montsalvat.com.au as soon as possible prior to the commencement of the rescheduled class or workshop.

If a student is unable to attend the rescheduled classes or workshop Clay Talk may, at its absolute discretion, provide either a credit note, or a pro-rata refund (minus an administration fee of 10%).

 GIFT VOUCHERS

Gift vouchers are only available through our online portal www. Gift vouchers can be purchased for a minimum of $20 and are valid for 3 years from purchase.

Gift vouchers can only be used for booking classes, courses and/or workshops at Clay Talk through our online portal. Gift vouchers can be applied at check out when booking a class, course or workshop.

FIRING OF WORK 

Most workshops and classes include firing and glazing of a specific number of pieces. Check the workshop listing description on our online platform.

We take extreme care with your work however accidents do happen, and we are unable to guarantee fully that your work will be successfully fired. Clay Talk takes no responsibility for failure or breakage of work.

Term classes:

Firing of 2.5kg of finished work per student is included in the term class fee.

Students can make and fire more work over this limit however additional charges apply.

Students must label each of their pieces with their Makers Mark (your Makers Mark is made up of the initials of your first, middle & last name and your class code e.g. John Adam Smith = JAS). No Makers Mark could mean losing your pieces.

If a kiln shelf is badly damaged from your work due to materials brought to Clay Talk from elsewhere, you will be charged for the cost of replacing that shelf.

Incorrect glazing or wrong clay body type in the wrong firing type will incur a penalty fee for damages.

  • If your work damages the interior walls, burners or elements of the kiln, you will be required to pay for the damage to be determined by the Clay Talk Studio Manager.

COLLECTION OF WORK

  • Firing, glazing and packaging of your work takes approximately 2-4 weeks after your class/workshop.
  • You will be notified by a written or digital notification, an email, or the Clay Talk Newsletter when your work is ready for collection.
  • Clay Taster & Kids School Holiday programme students have 30 days to collect their pieces from the time they received notification of their pieces to be collected before uncollected works are repurposed elsewhere.
  • Non-returning term student work must be collected on the last Friday before term classes begin.
  • Non-returning term students must talk with their teachers to understand the process of collecting their work and clearing student shelf items on the last day of their class. 
  • Uncollected works, bisqued pieces, items on student shelf including tools and clay - unless the student notifies staff at Clay Talk that they wish to make alternative arrangements to collect their work - will not be guaranteed safe keeping or storage and will be re-purposed.
  • EMAIL / SMS NOTIFICATIONS
  • Clay Talk takes no responsibility for students not reading or checking their messages, emails or checking their spam/junk mail regarding work collection.

Details

6 hours x 3 Days

You will learn

  • How to fire a fast-fire wood kiln
  • Learn about salting a wood kiln
  • How to pack a wood kiln including wadding

You will get

  • Learn the wood firing process and be prepared to get addicted!

Appropriate for

Anyone interested in wood firing


Preparation

What to bring

  • Bisqued pieces. You cab bring your own glazes however Clay Talk does provide some glazes if required.
  • Hard capped shoes, gloves, head torch, long sleeved shirts preferably cotton or woolen garments

What to wear

If participating in the firing - hard capped boots, long sleeved shirts and pants, head torch for night time sessions, water bottles, a par of welding gloves


Your Teacher

Meet the Team

Sergei Shatrov — Wood Fire Potter & Master Builder of the Salt Kiln

With over 31 years in ceramics, Sergei is a wood firer, salt-glaze specialist, and educator whose practice began at Cooma TAFE in 1993 before continuing at the Australian National University's Canberra School of Art under Janet De Boos, Anita Macintyre, Hiroe Swen, and Greg Daly. He has since studied and worked in ceramic studios across Japan, the USA, and beyond, drawing on Asian traditions and philosophies to shape his approach to form and firing. Born in Sydney to Russian heritage, Sergei now lives in Melbourne, where he is Manager of Arts Education at Montsalvat. He led the six-month build of Clay Talk's catenary arch salt kiln, guiding more than 20 volunteers and students through its construction from reclaimed materials and community donations. His depth of knowledge and generosity with it make every firing he leads both a technical education and a genuine creative event.

Joe Say — Wood Fire Potter & Teacher at Clay Talk

Joe is a teacher at Clay Talk and an experienced wood fire potter who brings genuine enthusiasm and passion to every session. Self-taught, he began his ceramics journey in 2020 working out of a home studio, first learning handbuilding before finding his true love on the wheel. Joe approaches clay with a maker's curiosity, marrying design and functionality to create unique, treasured pieces, and carries that same hands-on spirit into teaching wood firing at Clay Talk.

Martin Baxter — Wood & Salt Fire Ceramic Artist

Martin makes handmade functional stoneware ceramics, drawn into the craft through wood firing itself — seduced by the spontaneous surface and texture only this method can produce. His work sits at the intersection of tradition and expression, rooted in a deep interest in traditional approaches to ceramics while pushing into altered forms, spontaneous decoration, and atmospheric firing. Each piece reflects that dialogue between control and chance that defines wood and salt firing at its best.


Organized by

Montsalvat Arts Education

Montsalvat Arts Education

1279 reviews

Nestled within Montsalvat—Australia’s oldest continuously active artists' community—our studios offer a diverse range of creative outlets. Clay Talk is one of several studios, providing ceramics classes in wheel throwing and hand building for all levels, alongside specialised programs led by established artists. 

In addition to ceramics, we also offer classes in drawing, painting, and mosaic, with an expanded repertoire of educational offerings planned for 2025. This dynamic environment supports learners across various disciplines, all within the inspiring setting of Montsalvat, where art is created, taught, exhibited, and experienced.

Pottery is one of the best art activities for stress relief.

New students can start with pinch pot pottery techniques.

Explore more about the raku pottery process.


Terms

Cancellations & Refunds

If the organiser cancels the class:

You are entitled to a transfer or credit note.

If you can't attend the class:

You’re welcome to send someone in your place.

OR

You may cancel anytime before class starts and claim a full refund or transfer or credit note.

We recommend the refund upgrade option upon checkout in case you’re not able to attend the class. Learn more about refund upgrade option.

Terms & Conditions

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TERMS & CONDITIONS

These Terms and Conditions apply to all Montsalvat Arts Education programs, including term classes, workshops, short courses, and special events such as the Fire & Clay Festival.

Bookings & Payments

  • Full payment is required at the time of booking to secure your place.

  • All bookings must be made through our online portal:www.claytalk.weteachme.com

  • Payments are accepted exclusively through this platform.

Places are limited and cannot be held without payment.

Access to Clay Talk & Other Montsalvat Arts Education Studios & facilities

Montsalvat Arts Education coordinates all art programs located on the grounds of Montsalvat. For safety and security, access is restricted to enrolled participants.

  • Upon booking, you will receive an Information Kit outlining access procedures.

  • Please follow these instructions carefully to ensure safe entry to studio spaces relevant to your program.

Refunds, Absences & Transfers

  • We do not offer refunds for change of mind after booking.

  • Transfers may be requested, subject to availability and approval.

  • Please ensure you can commit to the scheduled dates and times before booking.

Refund Requests (Before Program Commencement)
Refunds prior to program commencement will only be considered under exceptional personal circumstances, such as the loss of an immediate family member, and are subject to management discretion and approval. Where a refund is approved, a 4% administration fee will be deducted from the total amount paid.

Missed Classes or Sessions

  • Requests for alternative arrangements must be made within five (5) working days of a missed session by emailing:claytalk@montsalvat.com.au

  • Retrospective requests will not be accepted.

  • Studio access sessions are not considered make-up classes.

Cancellation by Montsalvat Arts Education

Montsalvat Arts Education reserves the right to cancel programs due to unforeseen circumstances, including insufficient enrolments. In such cases, participants will be notified and provided with a pro-rata refund.

Illness & Medical Absence

If you are unable to attend due to illness:

  • Please notify us as soon as possible by emailing:claytalk@montsalvat.com.au

  • Where applicable, alternative arrangements, credit, or a pro-rata refund (less an 8% administration fee) may be offered at our discretion.

Gift Vouchers

  • Gift vouchers are available exclusively through:www.claytalk.weteachme.com

  • Minimum value: $20

  • Valid for three (3) years from purchase

  • Redeemable only for Clay Talk programs via the online portal

  • Not redeemable for cash and non-transferable

Gift vouchers are intended to support your creative learning and artistic development.

Firing of Work – Clay Talk Term Classes Only

Many workshops and classes include firing and glazing of a specified number of pieces. Please refer to individual course listings for details.

General Requirements

  • All work must be clearly labelled with the name used for booking.

  • We take great care with all work; however, ceramics involves inherent risks.

  • Clay Talk cannot guarantee successful firing outcomes and accepts no liability for breakage, cracking, or firing faults.

Clay Talk Term Classes – Firing Conditions

For most term classes:

  • Up to 10kg of finished work per student is included in fees

  • Additional firing will incur extra charges

  • All pieces must be labelled with your Maker’s Mark(Initials + Class Code, e.g. John Adam Smith = JAS)

Unmarked work will not be fired.

Damage of pieces in Clay Talk only

  • Damage caused by inappropriate clay bodies or glazes may result in replacement costs for kiln shelves.

  • Significant kiln damage may incur additional repair fees, assessed by the Studio Coordinator.

Fire & Clay Festival – Work & Firings

For Fire & Clay Festival participants:

  • Firing allocations and work limits are outlined in your festival registration pack.

  • All work must be labelled clearly and handled in accordance with staff instructions.

  • Due to the experimental nature of atmospheric and wood firings, outcomes cannot be guaranteed.

Collection of Work

  • Processing, firing, glazing, and packaging typically takes 2–4 weeks after program completion.

  • You will be notified by email when work is ready for collection.

  • Work must be collected within one (1) month of notification.

Uncollected work, materials, or tools may be disposed of or donated to Clay Talk fundraising initiatives after this period.

Contact

For all enquiries relating to bookings, attendance, or policies, please contact:

\U0001F4E7 claytalk@montsalvat.com.au


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